Swinburne University of Technology - Melbourne Australia
Postgrad
Duration
Contact Hours
Campus
Prerequisite
Corequisite
13 week study period
3 Hours per Week
Online
LPW500 Critical Friends: The real and virtual support of writers
Credit Points: 12.5 Credit Points
> Related Course/s > Teaching Methods > Assessment > Aims & Objectives > Generic Skills Outcomes > Content > Reading Materials > References
A unit in the Graduate Diploma of Arts (Writing) and Master of Arts (Writing)
This unit provides students with the opportunity to develop an understanding of how to ‘read’, ‘write’, and ‘research’ the wide range of adaptations that are made for presentation on stage, cinematic screen and computer screen. This unit further develops students’ understandings of the relationship of critical and cultural theories to the discourse of and about writing. On completion of this unit students should be able to: Demonstrate their exploration of the principles of adaptationact as ‘writerly-readers’ of scripts;\reflect their understanding of different media for performance and the role of the writer, through written responsesidentify and apply elements of writing for performance, including plot, character and mise-en-scenedemonstrate emergent skills appropriate to script writing through the development of their own script proposals, outlines and the script itselfOffer understanding of the particular industrial and cultural demands of proposing and developing a script for performanceshow insights into the processes of adaptation of a story for performancedemonstrate an understanding of the demands of writing for visual screens from film to T.V. and multimedia
This unit is delivered online and includes a range of flexible and multi-modal learning approaches, such as virtual lectures, virtual tutorials, electronic media, set readings for response. The unit Web page provides the following information: interactivities, multimedia links, hypertext links, references and virtual community opportunities and is supported by an online tutor and opportunities for peer mentoring.
Written Assignments 60% - 70%Participation in Weekly Discussion Threads 30% - 40%
This unit will provide discipline-based knowledge and professional capabilities and experiences contributing to students’ progress in attaining generic skills such as: Analytical skills developed through interactive applied, critical and reflective writing tasks and reviews requiring critical thinkingCommunication skills developed through interactive discussion forums and web-based communicationAbility to work independently developed through web-based research and online learning, in addition to library research
Narrative in writing for stage and screensCreation and development of characterVoice and dialogueDramatic elements: space, time, tension, conflictThinking adaptation: from book to filmStructure and adaptationsElements of the stage playThe Elements of the screen play: structure, substructure, timingSubstructure: Technical requirements of adapting for screen and stageElements of writing for multi-media formats: Shots, scenes and sequencesWriting for the visualCase Studies: Successful adaptationsCase Studies: script writers and writing process
Arnold, J. 2007 Practice Led Research: A dynamic way to knowledge, Rock View Press: Melbourne.Aronson, L. 2000, Scriptwriting Updated: New and Conventional Ways of Writing for the Screen. Sydney: Allen & Unwin.Dawson, J. 2000, Screenwriting: A Manual, Melbourne: Oxford University Press.Egri, L 1977, The Art of Dramatic Writing, New York: Simon and Schuster.Giddings, R. & Sheen, E. (eds) 1999, From Page to Screen: Adaptations of the Classic Novel. Manchester: Manchester University Press. Howard, D. 2006, How to Build a Great Screenplay: A Master Class in Storytelling for Film. New York: St. Martin's Press.Kitchen, J. 2007. Writing a Great Movie: Key Tools for Successful Screenwriting. USA: Billboard Books.The Macquarie Dictionary.The Macquarie Thesaurus.The Macquarie website: http://www.macnet.mq.edu.auSchwartz, M. E., 2007, How to write: a screenplay. New York: Continuum.Seger, L. 1990, Creating Unforgettable Characters, Boston: Henry Holt.Selbo, J. 2007. Gardner's Guide to Screenplay: From Idea to Successful Script (Gardner's Guide series), Washington, DC: GGC Publishing.Strunk, W, The Elements of Style (any recent edition) or the online version: http://www.bartleby.com/141/Trottier, D. 2005 Screenwriter's Bible: A Complete Guide to Writing, Formatting and Selling Your Script. Los Angeles: Silman-James Press.And the following electronic resources:The Electronic Labyrinth: http://jefferson.village.virginia.edu/elab/elab.htmlExposition: Towards an Electronic Humanities: http://web.nwe.ufl.edu/~gulmer/expo.htmlHypertext or Anti-Linear Navigation: http://home.earthlink.net/~outlyr/hypertext/Red Mona: http://www.purplefrog.com/~christy/red-mona/CyberReader: http://www.abacon.com/vitanza/cyber/index.htmlLucid Mapping and Codex Transformissions in the Z-Buffer: http://www.iath.virginia.edu/~mgk3k/lucid/
The following reading materials are recommended but not required:Aronson, L 2000, Scriptwriting Updated: New and Conventional Ways of Writing for the Screen, Allen & Unwin, Sydney. Dawson, J 2000, Screenwriting: A Manual, Oxford University Press, Melbourne. Egri, L 1977, The Art of Dramatic Writing, Simon and Schuster, New York. Giddings, R & Sheen, E (eds) 1999, From Page to Screen: Adaptations of the Classic Novel, Manchester University Press, Manchester. Howard, D 2006, How to Build a Great Screenplay: A Master Class in Storytelling for Film, St. Martin's Press, New York. Kitchen, J 2007, Writing a Great Movie: Key Tools for Successful Screenwriting, Billboard Books, USA. McKee, R, 1997, Story, Harper Collins, New York (highly recommended) The Macquarie Dictionary The Macquarie Thesaurus The Macquarie website: http://www.macnet.mq.edu.au Schwartz, ME 2007, How to Write: A Screenplay, Continuum, New York. Seger, L 1990, Creating Unforgettable Characters, Henry Holt, Boston. Selbo, J 2007, Gardner's Guide to Screenplay: From Idea to Successful Script (Gardner's Guide series), GGC Publishing, Washington, DC. Strunk, W The Elements of Style (any recent edition) or the online version: http://www.bartleby.com/141/ Trottier, D 2005, Screenwriter's Bible: A Complete Guide to Writing, Formatting and Selling Your Script, Silman-James Press, Los Angeles. And the following electronic resources: The Electronic Labyrinth: http://jefferson.village.virginia.edu/elab/elab.html Exposition: Towards an Electronic Humanities: http://web.nwe.ufl.edu/~gulmer/expo.html