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Production of Major Film and Television Project

Unit Code: HDFTV421




Duration

Contact Hours

Campus

Prerequisite

Corequisite

1 Semester

72 hours per semester

Prahran

Credit Points: 25 Credit Points


Related Course/s:

Aims & Objectives:

This unit aims to further investigate methods and techniques that are used in the development, production and post production of film and television projects. It aims to further develop a sophisticated understanding of the post-production process. The unit will explore the numerous roles in the post production of industry standard work . The students will have the opportunity to collaborate on group projects focusing on an area of specialisation as well as develop individual projects

Learning Objectives
At the completion of this unit students should be able to:
• Apply industry standard formatting to the development of short documents, budgets, drafts and director and producer statements;
• Work collaboratively to develop ideas and apply these in the development of a major film and video production focusing on teamwork, leadership and work ethics;
• Investigate and identify an area of specialisation within the film making process and develop that specialisation in a major project;
• Develop and articulate an aesthetic approach that takes into account the specialisation chosen.
• Research potential funding opportunities for the project including government and private sector and the placement of the project into the market.
• Develop an understanding of the current film funding and development environment that takes into account market projections, potential investment opportunities, govt funding opportunities, online exhibition and distribution and festival opportunities

Teaching Methods:

Lecture style presentations, project–based learning, tutorials using screenings, site visits, guest speakers, individual project and pitching workshops.

Assessment:

Assessment information for this unit

1. Major Project and short documents (60%) due production week 13

2. Market and Research (40%) due production week 13

Generic Skills Outcomes:

  • Swinburne University works to produce higher education graduates who are capable in their chosen profession. Learners bring to Swinburne a diverse wealth of experiences and graduate with individual understandings, abilities and attitudes.

    Within this context, HDFTV421 aims to provide students with the following attributes:
    • Are capable in their chosen professional, vocational or study areas;
    • Are entrepreneurial in contributing to innovation and development within their business, workplace or community;
    • Operate effectively and ethically in work and community situations;
    • Are adaptable and manage change;
    • Are aware of local and international environments in which they will be contributing.

Content:

Topics for discussion may include:
• Industry standard formatting;
• Shooting plan, tests rehearsal;
• Producing script/bible, budgets, schedules, contracts;
• Coordinating finance and production logistics;
• Post-production methodology.
• Marketing of film and tv content
• Funding opportunities

Preparation requirements
Students are expected to spend time investigating and developing an understanding of industry standards, to be used for all text documents.

Students will be involved in exercises involving:
• Investigating industry standards;
• Individual/collaborative meetings, discussions and production of a post production methodology for the Major Project;
• Production of industry standard documents, such as budgets, schedules, and contracts;
• Co-ordinating the financing and post production for the Major Project;

• Development of a marketing plan and potential funding plan proposal for the Major Project.
• Investigation into rights clearances in respect to cast, music, stock footage, archival material, etc.

Reading Materials:

Arijon Daniel (1976) Grammar of the Film Language Hollywood, CA : Silman-James Press

Van Sijll, Jennifer (2005) Cinematic Storytelling Studio City , CA :Michael Weise Productions
Weston ,Judith (2003) The film director’s intuition Script analysis and rehearsal techniques Studio City ,CA :Michael Weise Productions

Mamet , David (1994) A whore’s profession London :Faber and Faber
Ondatje, Michael (2002) The Conversations Walter Murch and the Art of Editing Film London :Bloomsbury Publishing

Lucey, Paul (1996) Story Sense Writing Story and Script for feature films and television New York :McGraw Hill Companies

Hayward, Susan (2000) Cinema Studies The key concepts London : Routledge

Rabiger, Michael (2004) Directing the Documentary Oxford :Focal Press

David Howard and Edward Mabley (1993) The Tools of Screenwriting A writers guide to the craft and elements of a screenplay New York : St Martin’s Griffin Press

Mcluhan Marshall (2001) Understanding media Routledge, New York
Goldman, W., (1998) Adventures in the Screen trade, Warner Books, NY

Goldman, W., ( 2000) Which lie did I tell? More Adventures in the Screen trade Vintage, NY

McKee, R (1999) Story Harper Collins, New York

Clark, B & Spohr, S J (2002) , Guide to Postproduction for TV and Film- Managing the Process, 2nd Edition, Elsevier, Burlington.

Honthaner, E, (2001), The Complete Film Production Handbook, Boston, Focal Press

Lipton, L., (1982), Independent Filmmaking, 2nd Edition, London, Orbis Publishing

Malkiewicz, K (1992), Cinematography, 2nd Edition, Fireside, New York.

Clark, B & Spohr, S J 2002 Guide to Postproduction for TV and Film- Managing the Process, 2nd Edition, Elsevier, Burlington.
Honthaner, E, 2001 The Complete Film Production Handbook, Focal Press, Boston.
Lipton, L 1982 Independent Filmmaking (2nd ed), Orbis Publishing, London.
Schreibman, M 2001 Indie Producers Handbook: Creative Producing From A to Z, Lone Eagle.