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Critical Friends: The real and virtual support of writers

Unit Code: LPW500

Duration

Contact Hours

Campus

Prerequisite

Corequisite

13 week study period

3 Hours per Week

Online

Nil

Credit Points: 12.5 Credit Points

> Related Course/s
> Teaching Methods
> Assessment
> Aims & Objectives
> Generic Skills Outcomes
> Content
> Reading Materials

Related Course/s:

A unit of study in the Graduate Certificate of Arts (Writing), Graduate Diploma of Arts (Writing) and Master of Arts (Writing).


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Aims & Objectives:

This subject focuses on the acquisition of skills that writers need before their writing is ready for publication. The final act of writing is to critique the work as though writers were coming to it for the first time as the reader, not the writer. This subject gives learners the opportunity to apply the skills of critiquing and editing in a collaborative online environment.

This unit explores how 'critical friends' can enrich others' writing skills and their own insights into the processes of writing by:
  • Reading each other’s work with insightful respect, including cultural respect, while at the same time being prepared to evaluate its strengths and perceive the weaknesses.
  • Being able to spend considerable time on multiple readings while taking notes and making marks on each other’s manuscripts.
  • Having knowledge, including cultural and emotional, of the area in which each is working and being able to apply it to show how each writer might alter their work to address the faults or weaknesses found in it.
  • Working through each other’s manuscripts and picking up on the points made during their multiple readings. 
On completion of this unit students should be able to:
  • Demonstrate developing knowledge of the area in which they are working and show how they might improve their work to address the faults or weaknesses they have found in it;
  • Apply emergent skills in sensitive criticism, that is, be able to make recommendations to balance criticisms and show how a weakness might be overcome;
  • Display confidence as a critical friend so that mutually beneficial creative relationships can continue outside the classroom or be applied in other subjects;
  • Continue developing understandings of how language works by applying a number of strategies, for example, being aware of the importance of reading aloud for language rhythms and felicities of writing;
  • Access reference material as appropriate to enrich the writing under consideration;
  • Seek advice and support from culturally relevant networks, e.g. Indigenous Elders, ATAS (Aboriginal Tutorial Schemes).


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Teaching Methods:

This unit is delivered online and includes a range of flexible and multi-modal learning approaches, such as virtual lectures, virtual tutorials, electronic media, set readings for response. The unit Web page provides the following information: interactivities, multimedia links, hypertext links, references and virtual community opportunities and is supported by an online tutor and opportunities for peer mentoring.

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Assessment:

Written Assignments 60% - 70%
Participation in Weekly Discussion Threads 30% - 40%


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Generic Skills Outcomes:

This unit will provide discipline-based knowledge and professional capabilities and experiences contributing to students’ progress in attaining generic skills such as:
  • Analysis of skills developed through essays, reflective journals and reviews requiring critical thinking;
  • Communication skills developed through written and oral presentations;
  • Ability to work independently developed through library research;
  • The ability to read text critically;
  • The ability to edit one’s own texts insightfully;
  • The ability to edit other’s texts critically yet sympathetically;
  • Insights into the relationships between reading and writing;
  • The development of editorial capacities.


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Content:

  • Components of ‘Critical Friendship’
  • Critical friendship in the writing industry, in business, and in academic practice
  • The process and products of writing
  • Peer, self-editing and feedback skills
  • Critical and Cultural Theories
  • Journals, diaries and reflective writing
  • Business Writing
  • Writing Australian Social Commentary
  • Writing Personal reminiscences in autobiographical, biographical or historical genre
  • Adolescent Fiction Writing
  • Children’s Writing
  • Useful Ideas and constructive criticisms about Writing in general and one’s own practice in particular

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Reading Materials:

Bernays, A & Painter, P 1997, What If?: Writing Exercises for Fiction Writers, Addison-Wesley Publications, Boston.

Bowling, A 2001, Novel and Short Story Writer’s Market 2001: 2,000 Places to Sell Your Fiction, Writer’s Digest Books, Cincinnati, OH.

Burroway, J & Stuckey-French, E 2006, Writing Fiction, 7th Edition, Longman, New York.

Deegan, M & Sutherland, K 2008, Text Editing, Print and the Digital World (Digital Research in the Arts and Humanities), Ashgate, London.

Einsohn, A 2005, The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications, 2nd edition, University of California Press, California.

Fontaine, SL & Hunter, SM 2005, Collaborative Writing in Composition Studies (The Wadsworth Series in Composition Studies), Heinle & Heinle, New York.

Farrell, MP 2003, Collaborative Circles: Friendship, Dynamics and Creative Work, University of Chicago Press, Chicago.

Gilad, S 2007, Copyediting & Proofreading For Dummies (For Dummies (Language & Literature)). John Wiley, London.

Gallagher, H 2007, Release Your Writing: Book Publishing Your Way, Virtualbookworm.com Publishing, College Station, TX.

The Macquarie Dictionary.

The Macquarie Thesaurus.

The Macquarie website: http://www.macnet.mq.edu.au

Moustaki, N 2001, Complete Idiot’s Guide to Writing Poetry, Alpha Books, Los Angeles.

Norton, S 2009, Developmental Editing: A Handbook for Freelancers, Authors, and Publishers (Chicago Guides to Writing, Editing, and Publishing). University of Chicago Press, Chicago.

Strunk, W The Elements of Style (any recent edition) or the online edition at: http://www.bartleby.com/141/

Van Cleave, RG & Pierce, TJ 2006, Behind the Short Story: From First to Final Draft. Longman, New York.

Woolf, V 1990, A Room of One’s Own, Harvest Books, New York.

St Amant, K. & F. Sapienza 2010, Culture, Communication & Cyberspace: Rethinking Technical Communication for International Online Environments (Technical Writing and Communication Series), Baywood, USA

Koo, M 2002, The Missing Critical Friends' Voices: An Angel's Heart or a Beautiful Mind? AARE Conference Proceedings 2002, (the Association for Active Educational Researchers) www.aare.edu.au/02pap/koo02139.htm

Rosenwasser, D. & Stephen, J 2008, Writing Analytically,Wadsworth Publishing, USA
 
And the following electronic resources:
 
Lynch Guide to Grammar and Style: http://andromeda.rutgers.edu/%7Ejlynch/Writing/

Online English Grammar: http://www.edufind.com/english/grammar/

Novel Advice: http://www.noveladvice.com/

Hanrahan, M. 1998, Enhancing Critical Analysis in Research Through Reflective Writing: http://www.aare.edu.au/98pap/han98330.htm


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