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Publication Folio Part B

Unit Code: LPW701B




Duration

Contact Hours

Campus

Prerequisite

Corequisite

12 Weeks or equivalent

3 Hours per Week

Lilydale

LPW701A Publication Folio Part A

Credit Points: 12.5 Credit Points


Related Course/s:

A unit in the Master of Arts (Writing)

Aims & Objectives:

This unit is aimed at writers who wish to develop their skills further by producing a major piece of work for publication. It will:
  • Introduce them to even more concepts and theories that will provide them with different insights into the process of writing
  • Examine how different writers go about their writing
  • Facilitate their writing of a major piece of work

Upon completing this subject students will have:

  • Insights into how an understanding of critical and cultural theories can contribute to their writing skills
  • Effective writing strategies
  • Completed a major piece of piece of writing

Teaching Methods:

Virtual lectures, virtual tutorials, electronic media, reading and practical exercises and e-tutors, e-mentors and e-peer groups.

Assessment:

Major work of 20,000 words or equivalent 60%, Participation in weekly Discussion Threads 40%

Content:

  • Synergies of Business, Curriculum, Personal and Creative Writing
  • eBooks: In the Palm of Your Hand
  • Visual Intelligence: Journey Through the Mind’s Eye
  • Australian Colonial Writer Marcus Clarke and His Natural Life
  • The Self and Electronic Revelations: Blogcasting; vlogging
  • When Worlds Collide: The Story of Science Writing
  • Books for Writers
  • A Cook's Tale: Writing about Food
  • Indigenous Inclusion in the Curriculum. Model of Report Writing
  • Intellectual Property: The Legal Position
  • Songwriting
  • Readerly-Writer to Writerly-Reader: The Electronic (De)Construction of Self

Reading Materials:

Aaronsen, L. 2000, Television Writing: The Ground Rules of Series, Serials and Sitcoms. Australian, Radio and Television School: North Ryde, N.S.W.

Arnold, J. 2007 Practice Led Research: A dynamic way to knowledge, Rock View Press: Melbourne.

Barrett, E. and Bolt B. (eds.) (2007) Practice as Research: Approaches to Creative Arts Enquiry, London: IBTauris.

Darnton, J. 2002. Writers on Writing: Collected Essays from The New York Times. New York: Times Books.

Card, O. S. 1990, How to Write Science Fiction/Fantasy, Cincinnati, Ohio: Writer’s Digest Books.

Carter, P. (2004). Material thinking: The theory and practice of creative research. Melbourne: The Melbourne University Press.

Frey, J.N. 1987, How to Write a Damn Good Novel, San Francisco: St Martin Press.

Greene, M. (2001). Variations on a blue guitar: The Lincoln Center Institute lectures on aesthetic education. New York: Teachers College Press.
Grix, J. 2004, The Foundations of Research, New York: Palgrave-Macmillan.
Howard, D. 2006, How to Build a Great Screenplay: A Master Class in Storytelling for Film. New York: St. Martin's Press.

Linenberg, F. C. & Irby, B. J. 2008. Writing a Successful Thesis or Dissertation, Thousand Oaks, CA: Corkin Press.

Kowit, S. 1995, In the Palm of Your Hand: The Poet’s Portable Workshop, London: Tilbury House.

Mayer, B. 2005, The Novel Writer's Toolkit: A Guide To Writing Novels And Getting Them Published. Cincinnati, OH: Writers’ Digest.

Miller, P. 1994, Writing Your Life: A Journey of Discovery, St Leonard’s, N.S.W: .Allen and Unwin,

Pianka, P.T. 1998, How to Write Romances, Cincinnati, OH: Writer’s Digest Books.

Poynter, D. 2005, Writing Nonfiction: Turning Thought into Books. Santa Barbara: Para Publishing.

Shaw, E 1999, Writing the Nonfiction Book, Boston: Rodgers and Nelson.

Smith, A. G. 2007. Writing Bestselling Children’s Books. Oxford, UK: Infinite Ideas Ltd.

Stanek, L. W. 1998, Story Starters: How to Jump-Start Your Imagination, Get Your Creative Juices Flowing and Start Writing Your Story or Novel, Los Angeles: Avon Books.

The Macquarie Dictionary.

The Macquarie Thesaurus.

The Macquarie website: http://www.macnet.mq.edu.au

Strunk, W, The Elements of Style (any recent edition) or online version: http://www.bartleby.com/141/


Weekly hypertext weblinks, including:

Hardy, D. E. , Traditional Grammar: An Interactive Book: http://textant.engl.unr.edu/grammarbook/title.html
New River: A Journal of Hypertext Literature and Art: http://www.cddc.vt.edu/journals/newriver/
Screenwriters Online: http://www.screenwriter.com/insider/news.html
The Electronic Labyrinth: http://jefferson.village.virginia.edu/elab/elab.html
Hypertext, Cybernetics, Cyborgs and Virtual Realities: http://www.uiowa.edu/~commstud/resources/digitalmedia/
Yale Web Style Guide: http://info.med.yale.edu/caim/manual/
Linnemann, M. E., Out is In, Off the Page/Now Online – Cool, 1997/1998: http://www.altx.com/ebr/ebr6/6line.htm
Ryan, M. L., “Immersion vs. interactivity: Virtual reality and literary theory,” Postmodern Culture, 1994;5(1): http://muse.jhu.edu/journals/postmodern_culture/v005/5.1ryan.html
Loranger, C., “This book spills off the page in all directions: What is the text of Naked Lunch? “Postmodern Culture, 1999;10(1): http://muse.jhu.edu/journals/pmc/v010/10.1loranger.html
Hayles, N. K., “Flickering connectivities in Shelley Jackson's Patchwork Girl: The importance of media-specific analysis,” Postmodern Culture, 2000;10(2): http://muse.jhu.edu/journals/pmc/v010/10.2hayles.html
TEXT (Special Edition) Number 3: Illuminating the Exegesis, Fletcher, J. & Mann, A. (Eds).
http://textjournal.com.au/speciss/issue3/content.htm [Accessed 20 January 2008]

Lists for Further Reading to be advised in Unit Guides and updated as needed.
Weekly hypertext weblinks to be advised on Unit Website through on-line tutorials on Blackboard